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Alexander (Erland Josephson, Cries and Whispers), news about the outbreak of World War III reaches its distant Baltic Island – and a happy mood turns into a horror. The arrest of Tarkovsky with luminous gray washing the gloomy landscape around their house. (Master film photos by Sven Nykvist, a longtime collaborator of Ingmar Bergman). Alexander, a philosopher, is worried about the lack of human spirituality, the prospect of a certain extinction forces the final sacrifice and enters the Faustian opportunity with God to save the fear that moves them. The last film of the director who was dying of cancer, the victim is a personal statement of Tarkovsky, a deeply moving, redemptive tragedy steeped in unforgettable paintings and painful emotions.
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